Ah Leon's Memories of a Classroom Essay Example | Topics and Well Written Essays - 750 words

Ah Leons Memories of a Classroom - Essay ExampleThis essay comp bes and contrasts two divergent forms of art -- Ah Leons Memories of basal enlighten and James Sienas exhibit Compare, Contrast, Connect in foothold of emotional appeal, form, and theme. While Ah Leons Memories of Elementary School and James Sienas Compare, Contrast, Connect are ostensibly divergent forms of artistic expression, there are a number of comparative aspects in terms of emotional appeal. Leons exhibit is a conceptual piece that recreates an elementary school setting conversely, Sienas exhibit contains four etchings with juxtaposed images and colors. In terms of emotional appeal, Leons shit harkens back to memories of childhood and the process of education. This is contrasted with Sienas give-up the ghost that is more highly abstract, as it depicts vague exploratory images. In these regards, Sienas fit plays more on direct and spontaneous emotions through its elaborate color design and vivid imagery. S till, its clear that both images share some(prenominal) emotional qualities. In these regards, they are both distinctly concerned with challenging intellectual quandaries. Although Leons work contains emotional nostalgia, and Sienas direct emotional appeal, there is also a re inspired sort of intellectualism inhering in both full treatment. Another prominent consideration in terms of these works of art is their form. inwardly this context of understanding, the works perhaps demonstrate their most divergent qualities. The first consideration in these regards is Leons Memories of an Elementary School as noted above this is broadly characterized through its depiction of seats and chairs of a Taiwanese elementary school. Within this work there is strong regimentation as thoroughly as etchings in the desks that further add expressionistic details to the art. In terms of categorical form, Ah Leons work clearly falls under what has been termed conceptual art. In these regards, the ar t form but inquirys the nature of art, as well as expresses meaning. This aspect of form can be contrasted from Sienas Compare, Contrast, Connect. This exhibit can be categorically placed within the context of the abstract art movement and is divergent from Leons work in these regards. Indeed, Siena has frequently been characterized for his work in abstraction (Harlan & weaver, 2010). The work functions less as a self-reflexive question on the nature of artistic expression and more of in terms of the artists person-to-person vision. Still, both forms make demands on the viewer as they force them to consider subtle undertones. In Sienas work this emerges as the viewer is asked to consider the juxtaposition of the four etchings. Ultimately, both forms are on oppose artistic spectrums. A final consideration of these artistic works is in terms of theme. While these works seemingly exemplify divergent thematic structures, its possible to find similar thematic elements. nonpareil of t he most notable thematic elements of Leons work is his exploration of the rigidity of Taiwanese education. Within this thematic concern is clearly Leons characteristic exploration of scale. Indeed, its been said of Leons other work that, The effect of Ah Leons obsession with scale here is not simply to stun viewers but to move them (Chung 2000). While Sienas work lacks a thematic investigation of scale, it does explore a similar mood of personal expression. In these regards